visual artist, writer and psychoanalyst

2024-2019: coordination of a contemporary art association in rural areas 3C: Calce Culture Contemporaine, with the support of the French Ministry of Culture, the Occitany Region, the Pyrenees-Orientales Department, the Pyrenees-Mediterranean Euroregion, Calce, France.

2024-2023: Postgraduate Latu Sensu online “WALKING AS A METHOD FOR ART AND EDUCATION” by A Casa Tombada, coordinated by Edith Derdyk.

2013-2011: Invited Researcher by the Department of Visual Arts at ECA-USP and by CRAL at École des Hautes Etudes en Sciences Sociales in Paris for post-doctoral work under the theme «Image, body and memory in the works of Rosângela Rennó and Christian Boltanski».

2010-2007: PhD in psychoanalytic theory from UFRJ, with an internship at the Université de Paris VII with the thesis «From perversion to sublimation: contemporary art strategies for creating possible places of subjectivation / presence of work on the edges of the body and the feminine».

art formation

2023: drawing studio with artist Aline Fillip, Perpignan, France (30 hours).

2023-2019: practice workshops in visual arts (drawing, engraving, painting, collage, monotype, ceramics, photography, watercolor, mixed techniques, sculpture, video) with artists invited for residency and cultural mediation work (Muriel Valat-B, Kati Gausmann, Fernando Colin Roque, Hanni Angermann, Gadea Burgaz, Nuria Duran, Serge Saunière, Aline Fillip, Emilie Dumas, amongst others) in the context of the visual art’s association project 3C: Calce Culture Contemporaine, Calce, France (350 hours). 

2023-2022: painting studio with artist Emilie Dumas, Calce, France (72 hours).

2021-2020: weaving workshop with weaver and artist Agnès Calas, Baixas, France (40 hours).

2001: drawing studio with artist Maria Teresa Louro, São Paulo, Brazil (15 hours).

exhibitions

«con|suma • des|apareça» / «con|sume • dis|appear»: fortune cookies with customized packaging and phrases or definitions on the word «consume» taken from the dictionary. Presented at the Travessa Aberta event in the Celeste’s magazine space, Ateliê 397 and Desapê. São Paulo, Brazil. 20.12.2025.

«con|suma • des|apareça» / «con|sume • dis|appear»: fortune cookies with customized packaging and phrases or definitions on the word «consume» taken from the dictionary. For the exhibition: bar – bureaucracy in reverse: collective exhibition of the «general clinic» project by atelier 397. Curated by Thaís Rivitti, Érica Burini, Kauê Garcia and Lucas Goulart. Xow.Rumi / Capacete, Rio de Janeiro, Brazil. 06.12.2025.

«erinyes / erínias»: solo exhibition of the «erinyes» series at Librairie Galerie Victor & Madeleine, in Canet en Roussillon, France. From 09/06 to 10/15/2025.

«traces: grandmothers – 1st part»: installation of 24 drawings (drawing and watercolor on 300g/m2 watercolor paper, 10x10cm) covered by 10x10cm tracing paper with a written poem. For the launch of the book «And then?» by Alessandra Monachesi Ribeiro, published by Casa Amitié. Exhibition at: A Casa Tombada. São Paulo. From August to October 2025.

«integration»: installation of purchase tickets, drawings, monotypes and purchase ticket reels. For the exhibition: À la recherche du Belvédère du Rayon Vert #5 : escale d’un jour. Collective exhibition. Hôtel Belvédère du Rayon Vert, Cerbère, France. 14.06.2025

selected publications

RIBEIRO, A.M: E depois? (And then?) 1ed. Salvador: Amitié Casa Editorial, 2025.

RIBEIRO, A. M. : Antonio Manuel: body, memory and death. In: In: Tania Rivera, Luiz Augusto M. Celes, Edson Luiz André de Sousa. (Org.) Coleção Grandes Ensaios Brasileiros, volume: Psychoanalysis. 1. Ed. São Paulo: FUNARTE, 2016.

RIBEIRO, A. M.. Cildo Meireles. In: Tadeu Chiarelli. (Org.). Collection: other approaches / MAC Essential. 1st edition.São Paulo: MAC-USP, 2015, v. 1, p. 74-75.

RIBEIRO, A. M.. Regina Silveira. In: Tadeu Chiarelli. (Org.). Collection: other approaches / MAC Essential. 1st edition.São Paulo: MAC-USP, 2015, v. 1, p. 121-122.

RIBEIRO, A. M.. Rosangela Rennó. In: Tadeu Chiarelli. (Org.). Collection: other approaches / MAC Essential. 1st edition.São Paulo: MAC-USP, 2015, v. 3, p. 54-55.

RIBEIRO, A. M. . The artists, the places and the possible works, or where subjectivity still finds a place to exist: some further considerations.  Percurso (São Paulo), v. 53, p. 15-26, 2014.

RIBEIRO, A. M. . The body and the feminine as places of possible subjectivation: the contribution of visual arts. Agora (PPGTP/UFRJ), v. 16, p. 87-104, 2013.

RIBEIRO, A.M. How the materiality of the image in contemporary works of art informs us about the strategy of constructing memory. Piper Journal International Psychology, Practice and Research, v. 4, p. 43, 2013. RIBEIRO, A.M. Suffering and enjoyment in contemporary visual arts. In: Marcus Coelen; Claire Nioche; Beatriz Santos. (Org.). Enjoyment and suffering. 1ed.Paris: Campagne Première, 2012, v. 1, p. 305-312.

RIBEIRO, A. M. . The artists, the places and the possible works, or where subjectivity still finds a place to exist. Percurso (São Paulo), v. 47, p. 91-100, 2011.

RIBEIRO, A.M. The body and the feminine in contemporary art. Revue Recherches en Psychoanalyse, v. 9, p. 797, 2010.

RIBEIRO, A.M. Nazareth Pacheco and the body. Concinnitas (Rio de Janeiro), c. 14, p. 104-119, 2009.

RIBEIRO, A.M. Cindy Sherman: about the feminine. Psyche (São Paulo), c. 22, p. 35-54, 2008.

RIBEIRO, A.M. The grotesque, the strange and femininity in the work of Cindy Sherman.  Ide (São Paulo), v.47, p. 88-93, 2008.

RIBEIRO, A.M. Antonio Manuel – body, memory and death.  ARS (USP), v. 11, p. 78-97, 2008.

RIBEIRO, A.M. Enlargements of the feminine. In: Silvia Leonor Alonso; Danielle Melanie Breyton; Helena M.F.M. Albuquerque. (Org.). Interlocutes about the feminine in the clinic, in theory, in culture. 1 ed. São Paulo: Escuta / Instituto Sedes Sapientiae, 2008, v. , p. 23-37.